A friend had randomly sent me a link to some wild scenes from a crazy Kollywood movie (Indian film in Tamil rather than Hindi which would be Bollywood). Instantly smitten with the footage, we sought out the complete movie almost immediately and watched it in all of its absurd 3-hour long glory. This was no pensive and delicate Satyajit Ray tragedy epic. This was S. Shankar’s Endhiran(2010).
If you saw Slumdog Millionaire and think you know Indian cinema, guess again. As my title playfully hints, Endhiran (aka Robot) is a bloated, mismatched hodge-podge of the Matrix movies, the Iron Man movies, the Terminator movies and whole mess of other American science-fiction action fantasy flicks. At the time it was the most expensive movie made in India and, although it’s pretty dumb, I found it to be more fun and more innovative than half of the films it was ripping off, and I don’t say this much (as I generally dislike the current gimmick of 3D) but I kinda wish Endiran was in 3D.
Where to begin? Popular Indian actor, Rajinikanth, plays Dr. Vaseegaran, a brilliant scientist with good intentions (always), who creates an amazing humanoid robot (also played by Rajinikanth) named Chitti Babu after the famous Indian veena musician. The robot is fast, strong, powerful, super-smart, magnetic, charismatic, knows kung fu, and has the ability to seemingly ignore the laws of physics when the action calls for it. Chitti falls in love with Dr. Vaseegaran’s fiance, Sana (played by the gorgeous Aishwarya Rai), and so the jealous doctor destroys him and then the android’s battered parts find their way into the hands of the evil Dr. Bohra (Danny Denzongpa). Things go wrong and the new evil Chitti kidnaps Sana and makes hundreds of deadly powerful duplicates of himself. It is up to Dr. Vaseegaran to rescue Sana, stop Chitti, and set the world right again. It takes the film 3 hours to convey this plot.
There are plenty of amusing subplots that happen along the way. Two bickering lab technicians who helped construct Chitti try to play tricks on him. Dr. Bohra tries to disgrace Dr. Vaseegaran. Chitti helps Sana cheat on her doctor’s exam (that actually worries me a little). Chitti has an in-depth conversation with a colony of mosquitoes to prove his love for Sana. He even rescues several people from a burning building (a la Spiderman) but things go wrong when he rescues one girl from the fire who happens to be naked and she runs out in front of a speeding bus to commit suicide out of shame. The little naked girl suicide really kinda shifted the mood of the film for me, but Chitti makes up for it by immediately delivering a baby! Another recurring theme is that Sana keeps getting near-raped by greasy dudes. Really though, all of these minor plot points and small character adventures take a back seat to the fun action sequences.
Rajinikanth does a fine job playing the naive doctor and the charming but rigid Chitti and then the evil Chitti and all his duplicates. At over 60 years old—in addition to having one of the biggest age differences between himself and his onscreen love interest since High Noon—he had to do a lot of running around for these dual roles (and then some). Aishwarya Rai is very lovely to look at and you can tell she seems to be having fun as the much sought-after damsel in distress. But the special effects! I must be honest that the special effects are actually pretty good (much better than a lot of Indian films I’ve seen), but that’s not what makes them so great: it is the imagination they use to choreograph the super-stylized action and effects. Srinivas Mohan, visual effects supervisor, had his work cut out for him as so many scenes are little more than huge kaleidoscopes of digital engineering. ILM and Stan Winston Studios also lent their effects expertise to the film and the results are quite impressive. There is an excellent car chase to rival Matrix Reloaded and a smashing sequence in which the evil Chitti duplicates join together to form a death ball, a giant snake, a drill, and a huge dude (among other things) that might give Matrix Revolutions a run its money. Machine guns, explosions, car chases, robots, sunglasses, talking mosquitos, and Aishwarya Rai are just a few reasons to check this film out.
And what Bollywood/Kollywood film would be complete without some wild song and dance numbers? The film travels all over the world for the many zany music video sequences (why they seem to be singing about Mount Kilamanjaro whilst dancing in Machu Picchu is beyond me, but whatever). From an American point of view these sequences can seem like a huge waste of time, but I actually enjoyed them. It reminded me that Endhiran was from a different culture with different values than that of the land that brought us Transformers. It let me enjoy the poofy hair and unusual clothing even more. I liked listening to the music and watching all the wildly dressed extras and extravagant backgrounds. This movie was made to be a show and I’d say they succeeded. One note on all the musical numbers I have comes from cultural ignorance and it is this: if they hadn’t drastically changed the setting for every song I don’t think I would have been able to tell them apart.
I mentioned a few times earlier that this movie is 3 hours long. At first that number startled us. Having seen the trailer and a few clips I wasn’t sure how such a fluffy action movie could stand to go on for so long. Seven Samurai this was not. Having said that, I will further attest to the miracle of editing. Endhiran is so frenetically cut together that we were all bewildered when we realized that what felt like 15 minutes turned out to be an hour. The pacing of this freight train of a film is vigorous to say the least. It’s also a bit disorienting at times, but I’d say that just adds to the absurd experience of watching this thing. At the end—and it does end well—it felt more like 90 minutes and we found ourselves wanting even more mayhem. What started out as an endurance test for foreign oddity transmogrified into an extremely pleasurable afternoon of entertainment.
1. Playing a quirky, charismatic, multi-faceted superhero at Rajinikanth’s age earns him mad Ron Perlman Hellboy points.
2. Aishwarya ain’t too shabby.
3. Despite the language barrier it’s got some great super-cool action movie lines.
4. If you’ve never seen a Kollywood/Bollywood movie this is as good a place as any to start.
5. They spent a lot of money on this garbage so help these guys out.
6. Chitti looks like an obscene amalgam of Johnny Cash, Jon Belushi, and Deep Roy. I liked that. Maybe you will too.
7. If you thought you’d seen it all, watch this to get humble again.
8. At times it approaches Kung Fu Hustle status for action ludicrousness.
9. It’s about as action-packed and insubstantial as Tony Jaa’s Ong bak: Muay Thai Warrior so you don’t have to think for 3 whole hours!
10. Robot death ball. Dot!