I did it again. Some 80s horror treasures in here. Not all the films on this list are horror and I realize it may be unfair to rank mostly 80s horror movies—with their oh-so-specific aesthetic—against whatever else I’ve been watching, but here it is.
No to Meh:
Hard Rock Zombies (1985) directed by Krishna Shah. Was it trying to be funny? I think so. That makes it worse. Because it wasn’t not funny. For a movie with a zombie rock band, Nazis, and a demon puppet(?) that eats himself for no discernible reason, it’s an extremely boring affair even for the schlock I knew it would be. Bonus: it won’t be too hard to get wasted playing a drinking game with this one.
Curtains (1983) directed by Richard Ciupka. Actresses auditioning for a sleazy director in his mansion, but there’s a killer who wears an old lady mask who picks them off. Who is it? Doesn’t really matter. It has one or two decent scenes (one pictured above to give you an idea what we’re working with) and it had the weird temerity to use stage curtains for scene transitions. Bonus: creepy doll.
*NOT HORROR* 6 Days to Air: The Making of South Park (2011) directed by Arthur Bradford. I love what Trey Parker and Matt Stone do. Seeing the insane process of how they make it work and how quickly they turnaround a new product was just a fun little treat. Trifling, but passably informative. [Made for TV documentary.] Bonus: Wait…Bill Hader?
Night of the Comet (1984) directed by Thom Eberhardt. There is enough to enjoy here and, scene to scene, I was never sure where we were ultimately going. Catherine Mary Stewart plays Regina, one of the remaining Earth survivors following a mysterious comet that kills everyone (either disintegrating them or turning them into zombies because CONSISTENCY). It doesn’t take itself too seriously, which is really its best asset. How many other post apocalyptic horror movies feature wacky shopping montages? More odd than great, but worth a look. Bonus: Danny Mason Keener, a.k.a. DMK.
The Monster Squad (1987) directed by Fred Dekker. It’s a cult classic and I’m sure had I watched it when I was a kid I’d be more about this. It’s like The Goonies but with the classic Universal monster lineup attacking the town. I like the kids for the most part (and their old Holocaust survivor neighbor) and it has a few good jokes, but I just didn’t like this movie’s portrayal of my favorite monsters. It feels like an homage to Dracula, Frankenstein’s monster, the Wolfman, the Creature from the Black Lagoon, and the Mummy as Halloween costumes rather than their infamous silver screen personas. Not a bad little film and I get the cult status, but it not my favorite. Bonus: settles what qualifies as a virgin for magical incantation.
Lifeforce (1985) directed by Tobe Hooper. The weirdest vampire movie ever? Possibly. Soul-sucking giant bat aliens, pretty good special effects, plenty of nudity (I felt so bad for actress Mathilda May since she’s completely naked for nearly the entire film), and a young Patrick Stewart. For a Cannon Films production, this one is actually pretty high quality. Bonus: co-stars Frank Finlay.
*NOT HORROR* Fletch (1985) directed by Michael Ritchie. Bad New Bears director puts Chevy Chase in the role of loose, beach detective, Irwin ‘Fletch’ Fletcher. He’s a fairly unscrupulous Philip Marlowe type, but also a master of disguise. The mystery is low key, the humor is subtle, and the musical score is wildly 80s. It gets by largely on slacker coolness and sarcasm. Bonus: Chevy is a dick to everyone. Double bonus: Harold Faltermeyer’s score https://www.youtube.com/watch?v=p8cLJcm_RoU
Halloween III: Season of the Witch (1982) directed by Tommy Lee Wallace. Tom Atkins stars as a lecherous doctor who stumbles upon a convoluted witch conspiracy to destroy the human race through television and haunted Halloween masks. There’s also robots and a magic rock. It’s silly, but it’s also sumptuously Halloween-y. Maybe not technically as good or iconic as the original Halloween with Michael Myers, but I found the departure from teen-targeting pseudo-supernatural serial killer trope rather refreshing. Kinda loved it. Bonus: kid’s face turns into snakes.
Night of the Creeps (1986) directed by Fred Dekker. This is the campy horror throwback I wanted. Monster Squad director nails the 50s teen horror feel and updates it with gross special effects that only the 80s could deliver. Brain-eating slugs are jettisoned off an alien spaceship and wreak havoc on college housing. It knows exactly what it is. Dekker certainly has a knack for balancing tongue-in-cheek humor with fun scares. Bonus: Tom Atkins plays another badass.
*NOT HORROR* Casanova (1976) directed by Federico Fellini. More Fellini grandiosity, this time staring Donald Sutherland as the infamous Italian ladies’ man. The film wrestles with what Casanova wanted his identity to be and juxtaposes it alongside his wild libertine escapades. More sad and grotesque than sexy, which is sort of the point. Bonus: a very young Daniel Emilfork (The City of Lost Children) makes a brief appearance.
Invasion of the Body Snatchers (1956) directed by Don Siegel. I’ve been a fan of the 1978 remake for some time, and it’s somewhat embarrassing it took me this long to get to the original classic. The sense of hopelessness and increasing paranoia marked a lot of 50s horror-sci fi and this may be one of the best examples of it. Is it communism? Is it conformity? Whatever it is, it’s coming and it’s taking over…everyone. Bonus: reminds you that you really can’t trust anyone. Because they could be alien duplicates.
Better and better:
The Entity (1982) directed by Sidney J. Furie. This was an upsetting film. It’s like The Exorcist but instead of Pazuzu, it’s a nameless rape demon out to get Barbara Hershey. Some genuinely disturbing and scary scenes and overall sense of dread, especially when no one believes her. I don’t want to give away too much, but if you felt The Babadook was too on the nose, maybe give this one a look. Bonus: ice death cannon of science.
*NOT HORROR* Kubo and the Two Strings (2016) directed by Travis Knight. Laika studios strikes again with another gorgeous looking stop-motion feature film. More beautiful, technically impressive, and emotional than anything else, this adventure simply warmed my cockles. Bonus: any stop-motion is a bonus unto itself.
*NOT HORROR* Everybody Wants Some!! (2016) directed by Richard Linklater. A soul sequel to Dazed and Confused, the pointless saga of a college freshman in a rowdy frat house a few days before school starts in 1980 is immediately engaging. The characters are wonderfully written and funny in that hey-I-know-that-guy kind of way. It’s not a raunchy bro comedy. It’s simply a slice of life. I’m not even a jock and I loved it. Bonus: let Blake Jenner melt you with his smile.
*Technically NOT HORROR* Welcome to the Dollhouse (1995) directed by Todd Solondz. Remember Napoleon Dynamite? If you felt it was too quirky and twee then this uber dark comedy about the life of one 7th grade misfit girl is for you. Heather Matarazzo plays Dawn Wiener, a poor girl who can’t catch a break between her horrible life at home and her horrible life at school. Happiness director will make you cringe again and again with this hopelessly real portrayal of American suburbia. Bonus: not Napoleon Dynamite.
*NOT HORROR* Song of the Sea (2014) directed by Tomm Moore. Basically, if you liked Secret of the Kells you’ll probably be into this. If you can picture Irish folklore told with an almost Miyazaki-esque sense of magic then you have a decent idea of what you’re in for. The animation is unique and elegant and the story is beautiful and touching. It’s a splendidly magical fantasy with loads of sumptuous hand-drawn visuals to tantalize you. Bonus: I love the owl lady.
The Gate (1987) directed by Tibor Takács. I loved this way more than I expected to. Some kids discover an ancient portal to hell in their backyard and have to figure out how to seal it up before countless demons get out. It’s a perfect family horror flick with enough clever special effects and creepy atmosphere to whet your appetite for Halloween. Bonus: best friend Terry (Louis Tripp) is the best kid punk nerd ever. #KillerDwarfs
The Dead Zone (1983) directed by David Cronenberg. Christopher Walken stars as a quaint, conservative teacher gets in a car accident. When he awakes from his coma years later, he discovers that he’s lost a lot in the time he’s been unconscious, but he also discovers a strange psychic power that transports him into traumatic events in people’s lives—past, present, and future. Revelations about the future, put him in the dilemma of whether or not he should act on his visions. Also stars Herbert Lom, Brooke Adams, and Martin Sheen. Bonus: fake bad politicians still more believable than real ones.
Attack the Block (2011) directed by Joe Cornish. John Boyega stars in this fantastic sci-fi action horror comedy. Weird, furry, gorilla-wolf alien monsters start landing in a low income British neighborhood, making a small gang of teen scofflaws and stoners the only thing fighting back against the creatures taking over the block. All the action takes place over one night and the choice of protagonists gives it a very different feel. The design of the monsters is also pretty great. Bonus: this proved to be a perfect film to double feature with The World’s End.
*NOT exactly HORROR* Spring Breakers (2012) directed by Harmony Korine. Gummo director turns “Girls Gone Wild” into a dark art-house piece. Perhaps a glib satire on social privilege, but seamlessly also a bleak, spiraling descent into the depths of crime. Entitlement, desperation, and ultimately depravity, this psychedelic tailspin is truly hypnotic. Bonus: Selena Gomez and James Franco and maybe not the way you expect them.
*NOT HORROR* Hunt for the Wilderpeople (2016) directed by Taika Waititi. What We Do in the Shadows director steers this wonderfully funny and heartwarming tale about a troubled orphan and his reluctant foster father on the run in the New Zealand wilds. Sam Neill and young Julian Dennison star, but every single character is fantastically written and perfectly cast. The cinematography is also quite beautiful and clever. You’ll laugh. You’ll cry. You’ll find better reasons to visit New Zealand than Hobbits. This may be my favorite film of 2016. Bonus: it would make a nice double feature with Moonrise Kingdom plus who doesn’t love a Kiwi accent?