It’s that time of year again. Christmas is a time for family, food, fellowship, and film! Miracle on 34th Street (1947), A Christmas Story (1983), It’s A Wonderful Life (1946), The Muppet Christmas Carol (1992), National Lampoon’s Christmas Vacation (1989), Die Hard (1988) and so on have all become holiday staples and there are so many more. I really wanted to write a review on a holiday movie but I was super torn as to which one to pick as so many have a very special place in my heart. It was ultimately down to a coin-flip between Trading Places (1983) and Scrooge (1951) and the winner was (quite surprisingly) Dr. Seuss’s How the Grinch Stole Christmas! (1966). I know, right.
Not the Ron Howard/Jim Carrey one.
This extremely memorable TV holiday special is not a classic by mere happenstance. American word master and gibberish-inventor (if it only but served the meter and rhyme), Dr. Seuss (Theodor Geisel), published this cherished rhyming fable in 1957. It has since been welcomed into countless homes, and for good reason. The wonderful words–both real and fictitious—and the amusing and creative rhymes, the stylized and whimsical artwork, and the simple yet timeless message that Christmas doesn’t come from the store, all work together in a very special way. It’s hard not to love the book, but who could have the cinematic fortitude to transform this classic yarn into moving pictures? How about Looney Tunes animator and director, Chuck Jones?
Charles Martin “Chuck” Jones was a perfect choice to bring to life Dr. Seuss’s tale of the nasty old Grinch who hates Christmas and has nothing but disdain for the Whos down in Whoville. After making so many beloved classic animated shorts starring Bugs Bunny, Daffy Duck, Elmer Fudd, Roadrunner, etc., and proving he indeed had the knack for comic fable with such shorts as One Froggy Evening (1955) and The Dot and the Line (1965), Jones’ style and sensibility fit Dr. Seuss’s world of cautionary mayhem very well. (I do still wonder what the film might have been like had Bob Clampbett animated it though). Jones even found room to add some of his own touches to the story. The look is Jones’s take on the look of Seuss which, in itself, is fairly fascinating, but Jones also had fun with other elements. The part of the Grinch’s tacit dog sidekick, Max, was expanded so that there was always at least one other Jonesesque joke going on amidst the silly Seussiness.
So the amazing story with its wonderfully whimsical way with words was set and the animated artwork and anarchic comic timing were ready to fire away, but there was still one important piece missing. Who could possibly effectively tell the story of the Grinch, giving both Dr. Seuss and Chuck Jones room to play while making it all their own? How about British actor and horror film icon, Boris Karloff (best known for his portrayal of the Monster in Frankenstein, 1931). Boris Karloff was both narrator and the voice of the Grinch himself. With immaculate diction and fantastic timber, the 79 year-old horror legend, festooned the film with his own very welcome presence. His reading of the piece is still really quite impressive.
For good measure, one more element was tossed into the mix: the killer song, “You’re a Mean One Mr. Grinch.” The song is great and it’s made even better by the deep, rich vocalist who sang it (who was uncredited!). That singer was Thurl Ravenscroft who is best known as the voice of Tony the Tiger (he was also the Vacuum Cleaner from The Brave Little Toaster, 1987). Now Chuck Jones was directing a Christmas poem written by Dr. Seuss that was being read by Boris Karloff while Thurl Ravenscroft would sing bass behind it all. Everything was now in place and everyone was in tip top form for this modest television production that would become a holiday favorite to be celebrated for years to come.
The story was simple. An ornery, old, green creature, the Grinch, would watch the Who-folk celebrate Christmas every year and every year he would glare down from his cave in the mountain above Whoville and let his hatred fester until one year he decides to do something about it. The Grinch does not understand Christmas, but he knows he cannot let the wretched spectacle continue so he plans to steal Christmas from the Whos so they can see how foolish they are. The Whos, however, do not need the presents that the Grinch steals because Christmas is bigger than commercialization: it’s alive in our hearts. The Whos don’t even seem to notice that all of their holiday decorations and presents are missing as they link arms and sing. The Grinch then repents of his wicked ways and seeks to redeem himself and return the gifts and he is formally welcomed into the Who community and they all celebrate together.
So blow your flu-flubers and bang your tar-tinkers this holiday season with a small film you all love and remember. Make Dr. Seuss’s How the Grinch Stole Christmas! a part of your Christmas. Make it a double feature alongside A Charlie Brown Christmas (1965)! Tidings of comfort and joy this holiday season to all. “Welcome, Christmas, while we stand heart to heart and hand in hand.”
Originally published for “The Alternative Chronicle” Dec. 22, 2009.